Thursday, November 7, 2013

Examining Forgiveness in Bearded Men.

We know.

Months have passed, fine readers. Moons have come and moons have gone. Moons have grown bright and dim above us, slender as a cat's whisker, full as our hearts as Autumn approaches and pulls sweaters over our wrists and kindling in our woven baskets.

Some of us have fireplaces, and some of us have fireplaces that we aren't allowed to use, as the great grumbling men in charge of our place of residence have decided to grumble away our rights to winter and fire and smoke. These things aren't fair, and they aren't right, but they are so. They are the lives we live, fire-less and dependent upon the gooseflesh of another--thick of New York accent, and small of spirit--to warrant their own warmth. But we will forgive him, as we are forgiving people. As we are bearded people. As we are people doing our best, and sometimes failing, but nonetheless, reflective and consumed by the desire to be as decent as we can, when we remember to do it. Our beards our witness, we struggle, but we try. We do try.

Woe is me. And, also, Whoa. Whoa is a word. Whoa is a word that just never looks right when you write it out. And can we--the fine bearded men living in the basement of an abandoned meat-packing plant in central South Dakota--finally be honest? See, every time we type out the word "whoa," we question ourselves. We stare at this word, over and over again, and worry we've messed up the placement of its letters.

Is it actually "Woah"? No, no, we reason. That would result in the word being pronounced Wo-AH, and that would make no sense. Would be the blathering work of idiots. Because the word is mono-syllabic, is pronounced 'WOah'. And, fact is, those last two syllables are mere stand-ins. For show, for nothing, for naught, for nil, for fancy, for

DICK FANCY.

And so we shall move on. Forward, into the beckoning moonlight which sings, but too gently to hear unless you're a loon and you sing back. We have heard these loons; we have visited their lake, in Maine. We built a fire there, in a cabin, in a real fireplace that sucked smoke up its flue and shifted it back to the black sky. And it was everything we'd hoped it would be. Flue is another word whose spelling we question. Even now, we wonder: are we making fools of ourselves? Do we look like real cads? Real dingbats?

We'd like to return to the point of forgiveness for a moment--we bearded men, sat around the series of wooden boards we call a dinner table, candlelight fading quick. The South Dakota winter is whipping past the slats of glass we call windows, barely protecting our un-bearded flesh from deep-freeze.

Let us explain our long-winded absence, long-windedly.

We have not been writing, or at least putting forth into the world concerted efforts of writing or creative work of late, because, as we've probably told you before, we are often plagued by the icy, gnawing claws of perfectionism. That tepid, yowlping beast. That furtive soul-sucker. That slutty, hooting low-dancer. There is fear in our bones that what we make contains no real value, or might not; it is a useless narcissistic cycle of inner-battlements that produces this fear, it is. So, we bat away our own efforts, and, as a result, make little, or nothing, for fear that what we make might make us puke a bit inside of our mouths. This, fair readers, is simply no way to live.

While listening to NPR this blustering, leaf-scattered morning, in our humble basement dwelling, we heard writer Ann Patchett speak of the universal nature of this struggle, and, also, of forgiveness in this regard. Despite our doubts--and our feeling that the thing inside of our heads which we really know might be beautiful (or gruesome, or terrible, or important, or dangerous, or lonely, or mad) and which we make all efforts to convey will never trick out exactly as we hope it will--we must persist. And we must forgive ourselves for this gap. This near-always gap somewhere between the story we've been holding inside every better cell of our bodies and brain-worms and the story that actually makes its way onto a page or screen or wherever it is we end up putting it. We must forgive ourselves for this and move on and then keep going, knowing we tried our best. And this trying our best, this work, is better, far better and more noble, than not trying at all for fear our try will simply not be good enough. It probably will not. But, then, maybe, eventually, it will. And our beards will grow more fine and lustrous, and the smell of old meat will disappear from inside our nostrils, and then someone we don't even know will send us a care package from Harry and David's, full of perfectly-ripe pears and shredded paper and something covered in chocolate, and we will really know we have won.

This is the goal, citizens of these lines, mayors of our hearts, strokers of our fine and lustrous beards (grown slightly dry now in the cold-ing weather). And what will happen if we fall back into familiar patterns? We will collect ourselves, dust the mites from our elbow-pads, and find a way to forgive ourselves again. And you. We will forgive you, too, for being kind. For doing right by us, and by each other. For sending us more pictures of cats, too, maybe.

Dick Fancy lives. Sometimes, he struggles to breath more deeply. But, though he plods and drags his boots now and again through the steadily-hardening mud, he exists. We exist. We are open for questions, we are open for advice, we are open for anything you want to share. Or keep to yourselves. The point is: Hello. Hi. We're grateful to have dusted off our old PC, found a sparking outlet near the old meat-grinder, and begun again.

Love,

DF








Monday, March 11, 2013

A couple new drawrings


Perhaps you've noticed a bit of a lapse in Dick Fancy's contributions to .blogspot.com; perhaps you haven't. We don't know who you are, and you hardly know us. I mean, you just barely know us. You know what we allow you to know. We curate ourselves for your sake, maybe even for our own sake. We are mysteries to each other, you and I. We are mysteries to ourselves. We are distant spectres of people we'd like to believe we knew or know but will never really, not really, not truly, not in the way our deepest, darkest, wormiest parts would really like, were we to admit them to ourselves, were we to take full advantage of their desires. Things haven't been easy for us, of late, and we've been forced to step back a bit, do some editing, and some good hard thinking about our place in the world, as men with long beards who also maintain a blog in the plural first-person narrative. We understand and acknowledge that we haven't always presented ourselves in this way, but things have clarified themselves in the fits and spurts that things sometimes do, and so now we come to you as a host of aforementioned bearded men--men with love in their hearts, and springs in their steps--and we ask that you embrace us with all you're willing to give. Why give anything less than your fullest selves, after all? Give us one good solid reason, and we'll let you off the hook! Come on! Let's us release our hardest darkness, our worms, our dogged ambitions, to the dust of stars, to all that falling carbon, and give ourselves to each other; shall we? Shan't we? There's a song in our heads, but we won't share it with you. Not yet. You're still looking a bit squirrelly out there, a bit timid. And that's okay. We'll be here waiting, waiting until we tire of all this endless, fruitless waiting (you beasts) and move on to other things which will likely be somewhat more enjoyable. Probably, they will involve baking a nice cake.




Based off of an old photo of our Grandmother, who, by mysterious circumstances that have still not been revealed to us (big family secret), was part zebra. 


                                                     
                   Self-portrait; pen and ink.

Thursday, January 24, 2013

Bitch, move

Man, oh man, it's cold.


Here's a weird new poem! Read it with a heavy coat on, so that you'll come to associate it with some kind of warmth. Maybe? Might that work? In a Pavlovian sort of way?


Bitch-Move-Out-The-Way

Moon of face, droop of mouth why
so sour you slick
dude? Is it the hair 
swirling rings round your forehead, soft
constellations of down, skin thick
as moss? Hold that handrail—your claws
are slipping. Hey,

monkey-head,
we don't blame you—the N train
hum-hum bumpy, bright slutty
light slanting to make black-eyes
blacker and men with limps pray
harder the train might thrust them
flying atop prettylady's empty
lap and wouldn't her fat lips
feel just right, just
right all your ears tingling
sex sex sex all those x's and what they
mean lit up red. Oh

Big Lady Silver we don't blame you
your improbable features, scrawled
in deep dark mother-cave, nutrients
delivered free, sleep and growing
eyelids the major tasks of the day—harder

when your bearer is bourboned. But
forgive her, your mother.
Grown-up is no Sadie Hawkin's
dance, Darlin', no my-call-
let's-groove-this-one-loose-
while-the-lights-are-softish,
sorry, nope. Grown is a slow
Charleston danced by accident
with some bitch-
won't-move-out-the-way
down a crowded street. Grown

is unscrewing all the lightbulbs
one night and opening the refrigerator
instead, hand-jiving on the cold
floor until you get hungry enough
and eat all the pickles, waking up
next day, doing it all again.

Friday, January 18, 2013

Doppledangerous

A close friend, who once stole a pair of flowery pants from our closet while we were out of town, warned us over here at Dick Fancy not to google "dick fancy," which we then promptly did.

Though we, of Dick Fancy, have figured out by now that the notion that there remains anything truly "original" or "still uncultivated" in this world is mostly an incorrect, unhelpful one, and though we didn't think we were the only Dick Fancy tooling around here in the internet time-space continuum, we guess part of us (and if you're wondering at this point who this multiple "us" and "we" is (are?), well, as you've probably already suspected, we are a group of small, bearded men who live together in the basement of an old meat-packing plant in South Dakota, much like Snow White's seven dwarves, except there are only six of us) still hoped that Dick Fancy, as the name of a blog, might somehow remain our unique, original, still-uncultivated property.

With deep regret, we ask that you cast your eye upon: http://www.imdb.com/name/nm0266697/

Richard Fancy. Dick Fancy. A real god's honest human, if we're still of a mind to consider actors real god's honest humans. We're on the fence, ourselves. But, seriously: Richard Fancy! What a great name! We can forgive him his encroachment just for having been himself for so long, and for smiling (so menacingly!) like the creep he surely must be.

Next: https://twitter.com/leanderTrey
What? "leanderTrey? Far as we can tell, nowhere on this gentleman's "twitter" account does he even grace his audience with the unique privilege of Dick Fancy-ness. "The epitome of hyperbole," so says his tagline. Indeed. We'd say the epitome of leading-astray, of the abuse-of-title! Shame on you!

And then, there's this: http://dickfancy.tumblr.com/. We'll speak not even to the content here, but to the fact of how easily our two very different attempts at "Dick Fancy" might be misconstrued, confused for one another, or any number of mishaps. It's just, there are too many variables, too much that might go wrong when navigating these choppy waters of .blogspot, and .tumblr, and god knows what else. There's much in this world capable of stirring terror in our hearts.

We have little else to say about it. Truly, we've gone back and forth about whether or not this is even fertile enough subject matter to include at all, or if it's just boring and tedious. Surely, fertile is the wrong work to describe it. There's just nothing "fertile" going on here. We are six bearded men. We live alone. We have stacks of porno in the bathroom, but, truly, we don't even look at it. We sometimes gaze at the covers, scratch thoughtfully at our furry chins, but ultimately decide that to look within would require more of a time commitment than we're willing to make.

We swear the man sitting beside us (all six of us) at the long table at this cafe saw the subject of our google search, cast upon us a disapproving stare, and then found it necessary to remove himself from this place and make his way back onto the cold streets. The bitingly cold streets seemed in that moment more hospitable than remaining beside the row of us and our long beards at this long wooden table, suffering the look of horror on our faces when we saw the pages and pages of search results that Dick Fancy produced.


Enough of this. Now, a poem:
 
Promise Me Your Teeth

How a bird shoulders seed
too large for its mouth,
bulge of ambition
protruding unnatural
round, like a thimble
in its throat. I look

squirrels dead in the eye
like to challenge: tell me
you will not lunge all rabid
at my throat, promise me

your teeth will not spark some unloved
wildness in my blood, to be skimmed off the surface
with a sugar spoon, oh

tell me I have not loved
too much to quicken another's throat
closed in thought of me, in regret. Speak me
the place satisfaction is held. Is it laid

neat in the belly of steel-tipped trunks—those
who possess it—folded in with old
broke sconces, wedding rings
and baby shoes, pressed linen napkins. Squirrel?

Your hind legs make me giddy; I'd borrow
those fur-pants, if only
they would fit.












Tuesday, January 8, 2013

evolution

A quick post to say that we at dick fancy have updated our address, mainstreaming it to the significantly less esoteric "dickfancy.blogspot.com." See, there are other-work issues at hand which demand my actual name be slightly less en-titled in such a way. So, hereafter, call my name out in the streets and in the supermarkets! Make it synonymous with dick fancy! Make them mean the same thing.  (No, I mean, don't really do this. That would be jarring, at best. Not that I really thought you would or anything. I'd have to be some kind of narcissist to believe this even the thinnest of possibilities.)
Anyway, onward, into the future, where we must hide ourselves behind our most obvious disguises.

Yours, always,

D. Fancy


Saturday, January 5, 2013

Morlocks, deep bathtubs, big faces, black holes.

(INTERVIEWER
Is there a particular picture of the world which you wish to develop? The past is very present for you, even in a novel of the “future,” such as Bend Sinister. Are you a “nostalgist”? In what time would you prefer to live?
NABOKOV
In the coming days of silent planes and graceful aircycles, and cloudless silvery skies, and a universal system of padded underground roads to which trucks shall be relegated like Morlocks. As to the past, I would not mind retrieving from various corners of space-time certain lost comforts, such as baggy trousers and long, deep bathtubs.)



In case you haven't read H.G. Wells' The Time Machine, as I, unfortunately, have not:
Morlocks are a fictional species created by H. G. Wells for his 1895 novel, The Time Machine. They dwell underground in the English countryside of 802,701 CE in a troglodyte civilization, maintaining ancient machines that they may or may not remember how to build. Their only access to the surface world is through a series of well structures that dot the countryside of future England.
Morlocks are humanoid creatures, said to have descended from humans, but by the 8,028th century have evolved into a completely different species, said to be better suited to their subterranean habitat. They are described as "ape-like", with no clothing, large eyes and gray fur covering their bodies. As a result of living underground, they have little or no melanin to protect their skin, and so have become extremely sensitive to light.
The Morlocks' main source of food is the Eloi, another race descended from humans that lives above ground. The Morlocks treat the Eloi as cattle, and the Eloi do not resist being captured.
Since their creation by Wells, the Morlocks have appeared in many other works such as sequels, movies, television shows, and works by other authors, many of which have deviated from the original description. (courtesy of The Free Dictionary)

Hmm. Ancient machines they may or may not remember how to build? I'm already distrustful of these melanin-starved Morlocks. Yes; keep them below ground, I say!

And, onto other matters, in case you've never chanced to experience the pleasures of a long, deep bathtub:
"Long(?), deep bathtub"
Hard to say whether or not Nabakov would have approved; I worry not necessarily for the style, but perhaps for the length.
"Dick, Fancy"
Would this man have enjoyed that tub? His face makes him seem short. I'm not saying short men are incapable of enjoying bathtubs. I'm thinking: if he's short enough, there'd be no reason for him not to enjoy this bathtub. Then again, I've no true notion of the dimensions of this tub. It could be huge. It could be twenty feet long. It could be full of gold, or tiny, pecking hens, or fresh-picked dill. It could be full with all the sweaty t-shirts that you've never gotten around to washing and so now they're stiff and stale and smell of mildew and rot. It could be full with Morlocks.

Back to the question at hand, though: would you agree? Tiny man, big face? Though, it's perhaps unfair to describe his face as "big." Yes, it fills up most of the borders of the photograph, but, then again, that's typically the point of portraiture. Or, not the point, per say, but an aim: to occlude other potential distraction in favor of one's giant head.

That's what the head-shot, taken my final brutish year of theatre conservatory, seems to be. My own face in this photograph has been described as "looking like it's poking through a black hole," by a woman who once, in the company of another friend, brought me to such a muscle-weakening fit of giggling--while climbing up the sets of stairs leading to her Chicago apartment (outfitted with Turkish rugs, cans of spent peanuts, and a ceiling that had half-crumbled to the floor in giant white flakes of drywall)--that the two were able to hold me down, strip me entirely of my clothing, rush inside the apartment and lock me out, naked, to roam the hallways until they got tired enough to relinquish hold of the doorknob.
"Perpetrator # 2"

"Perpetrator # 1"

I wonder why Nabakov spoke of baggy trousers as a part of the nostalgic past. I don't wonder why he wished to relegate trucks to the subterranean. I do wonder if maybe I'm wrong for questioning the whole "baggy-trousers-as-thing-of-the-past" situation. Maybe I'm the bonehead here for assuming they aren't a thing of the past. Who wears baggy trousers anymore, anyway? (Aside from maybe all of the people I've met in Colorado, who wear them regularly, because they are always about to go skiing, or at least it looks that way to me.)

Back soon with: more questions, more interpretations of nostalgia on which I have no claim, less words, more fun, fewer pictures, more revelations, greater effort, less weakness, reduction of pettiness, enlargement of purpose, thinning out of blame, thickening of spirit, better snow shoes, increased tolerance for cats who refuse to let me cradle them like newborns, less money, fewer syntactical difficulties, cleaner hair.
"Poking through black hole; still enjoys bathtubbing"

Passionately, primitively,

DF